Someone copied my AI character. What can I actually show?
Short answer: you can show facts. Your earliest files and the dates on them. The sketches, drafts, prompts and reference images that led to the character. The places you posted it first, with their timestamps. And any third-party record that fixed a copy of it on a date. Together they answer the first question in almost any dispute: who had this, and when?
What you can't show on your own is that you'll win. Whether the look of a character is protected at all depends on where you are, on how much of it a person actually made, and on how close the copy is. An AI-generated character adds one more question: which parts did you make, and which did the model make? Below is what to gather, what each piece proves and doesn't, and where the official report forms are. This is general information, not legal advice.
What the law actually looks at
First, know what a copy claim is about. A lot of "they stole my character" turns out to be "they made something in the same style".
In the United States, the Copyright Office's Compendium, Chapter 300 (section 313.4(H), revision dated January 28, 2021) is direct about characters. It says "the copyright law does not protect the name or the general idea for a character". What it can protect is the expression: "the artistic rendition of the character in visual form or the literary delineation of the character's specific attributes in textual form". A silver-haired android in a red coat is an idea; your drawing of her is expression.
Taiwan draws the same line. Article 10-1 of the Copyright Act (as amended June 15, 2022) says protection extends only to the expression of a work, not to the ideas or concepts behind it. On copying itself, a study commissioned by Taiwan's IP Office (final report dated October 20, 2014) describes Taiwan courts as generally applying two requirements: access and substantial similarity. It quotes an appellate ruling: the person claiming copying must show the other side had access to their work, and that the two works are substantially similar.
Then the AI layer. The U.S. Copyright Office's Copyright and Artificial Intelligence, Part 2 (January 2025) concludes that "Copyright does not extend to purely AI-generated material", and that "prompts do not alone provide sufficient control". Taiwan's IP Office said in interpretation letter 電子郵件1141017b (October 17, 2025) that whether an AI-generated work is protected depends on whether a human put actual creative input into it, and that disputes go to the courts case by case. If your character came out of a single prompt, the copy may be rude without being infringing. If you drew the design sheet or trained the LoRA on your own art, there is more of you to point to. Can AI art be copyrighted? goes deeper on that.
What you can put on the table
Taiwan's IP Office answers this question in its copyright Q&A booklet (October 2021, item 12, a creator whose videos were reposted without permission). Because copyright is a private right, the creator carries the burden of proving both the right and the infringement. It suggests keeping the original files, plans and records of the making process, plus screenshots and other evidence of the infringing use. For an AI character, that list becomes:
- Your earliest original files. The first export, the unedited generation, the project file, not a re-saved copy. File system dates can be changed, so treat them as a hint, not proof. Don't re-save them once a dispute starts.
- The making-of trail. Sketches, rejected drafts, prompt history, seeds, the training set and settings for a LoRA, the design sheet, the edits you made by hand. This shows what a person did, the part the law protects.
- Your references. The mood board and reference images you started from. Be honest about whose they are. If a reference was someone else's art, it shows your process, not your ownership.
- Where you published first. Post URLs, upload dates as the platform shows them, the account name, and copies of the pages. A platform's own timestamp is a third party's record, which is stronger than a screenshot of your desktop.
- Dated third-party records. Anything that fixed a copy of your character on a date someone else controls: a registration, an email to a client with the files attached, a commission invoice, an on-chain record.
- The copy itself. Screenshots with the URL and date visible, the account name, the post text, and a saved copy of the page. Posts vanish once a complaint lands.
Five ways to prove a file existed on a date compares the options in point 5 side by side.
What each piece proves, and what it doesn't
Each piece answers one narrow question.
| Evidence | What it can show | What it can't show |
|---|---|---|
| Original files | You held this version | When, if the dates can be edited |
| Making-of trail | What a person did, step by step | That nobody else did the same |
| Platform post | It was public on that date, under that account | That you made it |
| Dated third-party record | This exact file existed by that date | Who made it, or that the other side ever saw it |
| Screenshot of the copy | What the copy looked like, and where | That it's legally a copy |
Two gaps are worth naming. First, being earlier is not the same as being copied. Someone can arrive at a similar character on their own, and the Taiwan study above discusses independent creation as a defense. Being first gets stronger when you can also show they could have seen it: you posted it publicly, they follow you, they commented on it. Second, the date on any record is the date it was made. A record you create today shows the character existed today, not last spring.
Reporting the copy on Instagram, TikTok and YouTube
Each platform has an official copyright form. We link them rather than summarise them; they change. Read each form's notice before you send.
- Instagram: Copyright report form. When we checked on October 10, 2026, this link redirected to Meta's Intellectual Property Reporting Form.
- TikTok: Report copyright infringement.
- YouTube: Submit a copyright removal request.
In the US, these forms sit on top of the DMCA notice process. Under 17 U.S.C. § 512(c)(3), a notice needs a signature, identification of the work you say was infringed, identification of the copy and where it is, your contact details, a statement of good-faith belief that the use isn't authorized, and a statement under penalty of perjury that you're authorized to act. Your evidence is what lets you name your work precisely.
It also cuts the other way. Section 512(f) makes anyone who "knowingly materially misrepresents" that material is infringing liable for the damages that causes. Taiwan's Copyright Act has the same idea in Article 90-11: a false notice sent intentionally or negligently creates liability for damages. If the copy is only "same vibe", or the matching parts came from the model rather than from you, think hard before filing.
The other side can push back. In the US, after a counter notification the platform puts the material back "not less than 10, nor more than 14, business days" later unless you've filed suit (§ 512(g)(2)(C)). Taiwan's Article 90-9 runs on the same clock of 10 and 14 working days. A takedown is often the start, not the end.
Where an OpenStela record fits
If the character was never registered anywhere, the best time to fix that is before the next post, not after the next copy. On OpenStela:
- Register the character with one to four pictures. It gets an AVL number and a fingerprint of its specification, anchored to a public chain in that night's batch.
- The character fingerprint covers the specification, not the images. To fix the images themselves, register each one as a work on the works page and bind it to the character. A work's fingerprint is the SHA-256 of the file.
- Register the posts where you published it. Single Instagram, TikTok, X, Facebook and Threads post links can be registered. If we can't read the post, it is recorded as a link you declared, and the public page says so.
- Fill in the date you made it and, if AI tools were involved, what you contributed. Both are your own statements. We don't check them, and the record says so.
Later, anyone can check a fingerprint on the verify page without an account, and you can download a Proof Pack that a third party can recompute offline. How a registered work is verified walks through it.
What that gives you is a dated, verifiable record: this file or this specification existed by this date, under this name. It is evidence if a dispute comes up, one item on the list above. It doesn't decide who owns the character, it doesn't show the other side saw it, and it can't reach back before the day you registered. What a character ID proves explains the three layers. If the copy turns up on OpenStela itself, the complaint route is in Terms §4C.
Registering is free for up to 50 characters per account. Uploaded works share 300 MB, and link-type works take almost none (see pricing).
When it's more than a takedown
If the copy is being sold, or a takedown bounces back, two official facts are worth knowing.
In the US, the Copyright Office's general FAQ says "You will have to register, however, if you wish to bring a lawsuit for infringement of a U.S. work." It adds that registered works may be eligible for statutory damages and attorney's fees, and that registration within five years of publication is prima facie evidence in court.
In Taiwan, you don't need to register anything. Copyright arises when the work is completed (Article 10). Article 13 presumes that the person named as author in the usual way on the work, or when it is published, is the author. A pen name counts if it is widely known. So publishing consistently under one name is itself part of your record. The TIPO booklet (item 11) also notes that copyright infringement is generally a crime prosecuted only on complaint, which the rights holder has to file.
This is general information, not legal advice. Take what you've gathered to a lawyer where you live.
我的 AI 角色被抄了,我手上到底能拿出什麼?
先講結論:你手上能拿出來的,是事實。最早的原始檔和上面的日期;一路走到這個角色的草圖、廢稿、提示詞紀錄和參考圖;你第一次在哪裡發表、平台上顯示的時間;以及任何由第三方替你把某個版本「定在某一天」的紀錄。這些湊在一起,回答的是幾乎所有抄襲爭議第一個要問的事:誰先有這個東西、是哪一天。
你沒辦法自己拿出來的,是「一定贏」。角色的外型本身受不受保護,要看你在哪個國家、這個角色有多少是人實際做出來的、對方抄得有多像。AI 角色還多一道題:哪些部分是你做的,哪些是模型生成的?下面依序整理:法律到底看什麼、該蒐集哪些東西、每一樣證明到哪裡為止,以及各平台官方檢舉表單的位置。本文為一般資訊,不是個案法律意見。
先搞清楚:法律看的是什麼
動手蒐證之前,先弄清楚「抄襲」在法律上指的是什麼。很多「他偷了我的角色」,攤開來其實是「他做了一個風格很像的角色」,這兩件事差很多。
台灣著作權法(最新修正日期 2022 年 6 月 15 日)第 10 條之 1 寫得很清楚:著作權的保護「僅及於該著作之表達,而不及於其所表達之思想、程序、製程、系統、操作方法、概念、原理、發現」。「銀髮、紅外套的仿生人少女」是概念;你畫出來、調出來的那一張具體的她,才是表達。
至於怎樣才算抄,智慧財產局委託研究的〈著作權侵害認定要件之研究-接觸與實質近似〉期末報告(2014 年 10 月 20 日)整理得很完整:我國法院在重製、抄襲類案件,普遍以「接觸」與「實質近似」兩個要件判斷。報告引用的高等法院台中分院判決原文是:「主張他人之著作係抄襲其著作者,應舉證證明該他人曾接觸被抄襲之著作,構成二著作實質相似。」換句話說,主張被抄的人要負責舉證。報告也提到,兩件作品相似到幾乎不可能是巧合時,法院可能直接推認有接觸;反過來,被告也可以主張自己是獨立創作。
美國的說法類似。美國著作權局的實務手冊(Compendium)第 300 章第 313.4(H) 節(該章版本日期 2021 年 1 月 28 日)寫明:著作權法「does not protect the name or the general idea for a character」(不保護角色的名字或一般性的構想),能保護的是「the artistic rendition of the character in visual form」(角色在視覺上的藝術呈現)。
再來是 AI 這一層。智慧局在 電子郵件1141017b 函釋(2025 年 10 月 17 日)說:AI 生成的作品是否享有著作權,「應視創作過程中有無人類實際創意的投入而定」;完全由 AI 演算獨立完成、沒有人類實際創意投入的,不受保護;有爭議時由司法機關依個案認定。美國著作權局的〈Copyright and Artificial Intelligence, Part 2〉(2025 年 1 月)結論也是:「Copyright does not extend to purely AI-generated material」(純 AI 生成的內容不受著作權保護),而且以目前的技術,單靠提示詞不足以構成足夠的控制。
所以,如果你的角色是一句提示詞直接生出來的,對方照著做可能很沒禮貌,卻不一定構成侵權。如果角色設定圖是你自己畫的、LoRA 是用你自己的畫訓練的、每一格都有你手動修過,那裡面「你的部分」就多很多,也比較有東西可以指給人看。這部分更詳細的說明,可以看AI 生成的圖和歌,有著作權嗎?。
你能攤在桌上的東西
智慧局自己的《民眾經常諮詢著作權案例 Q&A》(2021 年 10 月)第十二題剛好就在問這件事:一位創作者的影片被店家拿去網拍平台用,該怎麼辦?手冊的回答是:著作權是私權,權利的存在和對方的侵權事實,都要自己負舉證責任,建議先保留影片原始檔、拍攝規劃或過程中的紀錄,以及截圖、對方侵權的證據等。換成 AI 角色,清單大概是這樣:
- 最早的原始檔。 第一次匯出的檔、沒修過的生成結果、專案檔,不是之後另存的版本。電腦上的檔案日期是改得動的,把它當線索就好,不要當成鐵證。爭議一開始,就不要再另存或覆蓋這些檔。
- 製作過程的軌跡。 草圖、廢稿、提示詞歷史、seed、LoRA 的訓練集與參數、角色設定表、你手動修圖的紀錄。這些才是證明「人做了什麼」的東西,也正是法律保護的那一塊。
- 參考資料。 你一開始收集的情緒板和參考圖。這裡要老實:如果參考圖是別人的作品,它能說明你的創作過程,但不代表那是你的。
- 第一次發表的地方。 貼文網址、平台上顯示的發布時間、帳號名稱,以及頁面的備份。平台自己記的時間是第三方的紀錄,比你自己電腦桌面的截圖有份量。
- 有日期的第三方紀錄。 任何由別人控制、把你的角色定在某一天的東西:登記紀錄、附上檔案寄給業主的 email、委託案的請款單、上鏈紀錄。
- 對方那一份。 截圖時讓網址和日期一起入鏡,記下帳號名稱、貼文文字,再把整頁存下來。很多貼文一收到檢舉就會被刪掉,到時候就找不回來了。
第 5 點有哪些做法、各自的成本和限制,要證明檔案在某一天就存在,五種方法哪個好?有並排比較。
每一樣證明到哪裡為止
沒有任何一樣可以單獨定案。每一樣只回答一個很窄的問題:
| 證據 | 能說明什麼 | 不能說明什麼 |
|---|---|---|
| 原始檔 | 你手上有這個版本 | 是哪一天(如果日期改得動) |
| 製作過程紀錄 | 人一步一步做了什麼 | 別人沒有做出一樣的東西 |
| 平台貼文 | 那一天、以那個帳號公開過 | 是你做的 |
| 有日期的第三方紀錄 | 這個檔案在那一天以前就存在 | 是誰做的、對方有沒有看過 |
| 對方貼文的截圖 | 對方的版本長什麼樣、在哪裡 | 法律上構成抄襲 |
有兩個落差要特別說。第一,比較早不等於被抄。別人也可能自己做出相似的角色;上面那份研究報告就提到,被告可以主張獨立創作。你的「我比較早」,要搭配「他看得到」才會變強:你公開發過、他有追蹤你、他在你的貼文下留過言。第二,任何紀錄上的日期,就是它被做出來的那一天。今天才建立的紀錄,只能說明角色今天已經存在,沒辦法說明去年春天就有。
在 IG、TikTok、YouTube 檢舉
三個平台都有官方的著作權檢舉表單。我們只放連結、不轉述內容,因為規則會改;送出前,請先把表單上方的說明讀完。
- Instagram:著作權檢舉表單。我們在 2026 年 10 月 10 日點開時,這個連結會轉到 Meta 的智慧財產權檢舉表單(Intellectual Property Reporting Form)。
- TikTok:Report copyright infringement。
- YouTube:提交版權移除要求。
在台灣,這套「通知/取下」的依據是著作權法第六章之一「網路服務提供者民事免責事由」。智慧局手冊第十二題也把它列為救濟途徑之一:通知平台取下侵權內容,平台不配合的話,可能要和實際侵權人負共同責任。美國那邊對應的是 DMCA,17 U.S.C. § 512(c)(3) 列出通知要具備的內容:簽名、被侵害的是哪件作品、侵權內容是哪一個和它的位置、你的聯絡方式、你善意相信這個使用未經授權的聲明,以及在偽證罰則下聲明你有權代表權利人。你前面蒐集的證據,就是讓你能精確說出「被侵害的是哪件作品」的依據。
這也是雙面刃。著作權法第 90 條之 11 規定,因故意或過失提出不實通知,造成使用者、權利人或平台受損害的,要負損害賠償責任;美國 § 512(f) 對「knowingly materially misrepresents」(明知而重大不實)的檢舉人也有同樣的責任。如果對方只是「感覺很像」,或兩邊相似的地方都是模型生成的、不是你做的,送出前請想清楚。
對方也可以回擊。依著作權法第 90 條之 9,被檢舉的人可以提出「回復通知」;權利人在接到轉送的次日起 10 個工作日內,沒有向平台提出已經對他起訴的證明,平台至遲在轉送回復通知的次日起 14 個工作日內就會把內容恢復。美國 § 512(g)(2)(C) 也是「not less than 10, nor more than 14, business days」。所以檢舉下架常常只是開始,不是結束。
OpenStela 的紀錄放在哪個位置
如果這隻角色從來沒在任何地方登記過,最好的時機是下一次發文之前,而不是下一次被抄之後。在 OpenStela:
- 用一到四張圖登記角色。角色會拿到一個 AVL 編號和一枚規格指紋,當晚隨每日批次錨定到公開鏈上。
- 角色指紋涵蓋的是規格,不是圖檔本身。想把圖本身定下來,到作品頁把每張圖登記成作品、再綁到角色;作品的指紋是檔案本身的 SHA-256。
- 把你發表過的貼文也登記進來。Instagram、TikTok、X、Facebook、Threads 的單一貼文連結都可以登記;系統讀不到貼文內容時,會照實記成「作者自行提供的連結」,公開頁也會這樣標示。
- 填上你製作的日期;用了 AI 工具的話,寫下你自己貢獻了什麼。這兩欄都是你自己的聲明,平台不審核內容,紀錄上也會這樣寫。
之後,任何人都可以在查驗頁用指紋查,不用帳號;你也可以下載 Proof Pack,讓第三方離線自己重算。整個流程可以看一首歌登記之後,怎麼證明它那天就存在。
你拿到的是一筆有日期、可查驗的紀錄:這個檔案或這份規格,在這一天以前、以這個名義已經存在。發生爭議時,它是多一個證據,也就是上面清單裡的其中一項。它不決定角色是誰的,不能說明對方有沒有看過,也沒辦法往回推到你登記那天之前。三層紀錄各自代表什麼,請看角色編號證明什麼,不證明什麼。如果抄襲的東西出現在 OpenStela 站上,檢舉管道在服務條款 §4C。
每個帳號登記 50 隻角色以內不用錢;上傳的作品共用 300 MB 空間,連結型作品幾乎不佔空間(見價格)。
不只是檢舉下架的時候
如果對方拿去賣,或者檢舉被回復通知打回來,就進入法律程序的範圍了。有幾件官方寫明的事,早點知道比較好。
在台灣,著作權不用登記:著作人於著作完成時享有著作權(著作權法第 10 條),智慧局手冊第一題也說明不需要向任何機關申請登記或註冊。第 13 條規定,在著作原件、發行的重製物上,或公開發表時,以通常方法表示本名或「眾所周知之別名」的人,推定為著作人。所以長期用同一個名字(包括有名的筆名)發表,本身就是紀錄的一部分。手冊第十一題也提到,侵害著作權原則上屬「告訴乃論」,要由著作財產權人或專屬被授權人提出告訴;同一題也列了警政署保安警察第二總隊刑事警察大隊的檢舉專線 0800-016-597(依 2021 年 10 月版手冊)。
如果對方在美國,或你打算在美國提告:美國著作權局的一般常見問題寫明「You will have to register, however, if you wish to bring a lawsuit for infringement of a U.S. work.」(美國著作要提起侵權訴訟,必須先登記)。登記過的作品才可能請求法定賠償與律師費;發行後五年內登記的,在法院上具有初步證據(prima facie evidence)的效力。
本文為一般資訊,不是個案法律意見。真的走到這一步,帶著你整理好的東西,去找你所在地的律師。
Questions常見問題
They changed the colours and the name. Is it still a copy?對方改了顏色、換了名字,這樣還算抄嗎?
Maybe. Names and general ideas for characters aren't protected, according to the U.S. Copyright Office's Compendium. Taiwan's Copyright Act protects expression, not concepts. What counts is whether your specific expression was taken and how close the copy is. In Taiwan, courts generally look at access and substantial similarity. Only a court decides that for a particular pair of images.
不一定。依美國著作權局的實務手冊,角色的名字和一般構想不受保護;台灣著作權法也只保護表達、不保護概念。重點是你具體的表達有沒有被拿走、兩邊像到什麼程度。台灣法院一般看「接觸」和「實質近似」。特定兩張圖算不算,只有法院能判斷。
Do I need a copyright registration before I report a copy?檢舉之前,一定要先去登記著作權嗎?
The DMCA notice elements in 17 U.S.C. § 512(c)(3) don't include a registration number, and Taiwan doesn't require registration. A US lawsuit over a US work is different: the Copyright Office says you have to register first. Check each platform's form for what it asks.
美國 17 U.S.C. § 512(c)(3) 列出的通知要件裡,沒有登記號碼這一項;台灣的著作權則不需要登記。但如果是在美國對美國著作提告,美國著作權局說要先登記。各平台表單實際要求填什麼,以表單本身為準。
Does an OpenStela record prove the character is mine?OpenStela 的紀錄,可以證明這隻角色是我的嗎?
No. It shows that a specific file or specification existed by a specific date, under a specific name, with the contribution you described. That can help in a dispute. It is not a ruling on ownership or authorship, and the date is the day you registered.
不行。它說明的是:某個檔案或某份規格,在某一天以前、以某個名義已經存在,附上你自己寫的貢獻說明。發生爭議時可以多一個證據,但它不是誰擁有、誰是作者的判定,而且上面的日期是你登記的那一天。
My character was made with AI. Can I still report a copy?我的角色是用 AI 做的,還能檢舉嗎?
You can report what you hold rights in. Under the U.S. Copyright Office's January 2025 report and Taiwan's October 2025 interpretation letter, only the human-made parts are protected. Point the report at those parts. A notice you know is wrong can create liability under 17 U.S.C. § 512(f) or Taiwan's Article 90-11.
可以檢舉你有權利的部分。依美國著作權局 2025 年 1 月的報告和智慧局 2025 年 10 月的函釋,只有人做的部分受保護,所以檢舉時請指向那些部分。明知不實還送出的檢舉,可能要依美國 § 512(f) 或台灣著作權法第 90 條之 11 負賠償責任。